A Corpus of Rembrandt Paintings II
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When working on research as long-term and broadly-based as this project, one becomes keenly aware that any scholarly publication can be no more than an account of the insights gained at one particular point in time. The shifts in our views since VolGme I was committed to print at the end of 1979 have been not inconsiderable, and they are one reason why an initial version of the text for Volume
II has had to be revised on many points. Only to a small extent are the changes connected with the emergence of paintings unknown to us before; this has led to one addition to the Leiden works discussed in Volume I (no. A40a). They come about mainly from recent advances in art history and other fields, and certainly also from developments within our own thinking. This second volume bears
the mark of these changes.
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